Hi, I’m Lindsey. I love helping people discover their superpower, create compelling content, and feel excited about pitching and networking. I teach people how to pitch like a boss, network like a VIP, and write like an Oscar winner. Subscribe to my weekly newsletter for actionable creativity and career tips.
Love What You Write!
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Hi Over the holiday break, I listened to a podcast where an author was unhappy that he wrote thrillers instead of literary fiction. This man has written 7 novels, both traditionally and independently published. He writes entertaining, well-written books. Success by any measure. But he feels like they're not important because they are not Art. He's fighting against his author brand, which is funny thrillers with heart. That is a great brand to write; it's fun to read and easy to sell. Lots of writers think entertaining people has less value than fancy, often erudite Art. I disagree. (I'm capitalizing Art here because people put it on a pedestal, making it more important than it is.) One of my mantras is stories matter. Entertaining and moving people is an important part of the human experience. Just because you think the kinds of stories you write are not important, doesn't mean they're not important to some people. Unfortunately, as writer we rarely know the impact our stories are having on our readers and viewers. Maybe someone is reading your cozy mystery while they get their chemo. Or someone is binge watching your sitcom as they grieve the death of a loved one. If you are feeling like your stories aren't important enough, I encourage you to watch the old movie Sullivan's Travels (1941). It's a comedy gem about a film director during the Great Depression who wants to make important movies, so he runs away from Hollywood to live life as an ordinary person. During his adventures, he gets to see the impact his frivolous movies are making, and it changes his perspective. Whatever kinds of stories you gravitate to telling, embrace them! Your stories are delighting your audience. And maybe changing their lives, even for a moment. Happy New Year! And happy writing! In Case You Missed ItTwo Real Life Examples of Screenplays Turned Into Novels: A screenplay A pilot How to Make the Most of the Holiday Slow Down Cheers, Lindsey Thanks for reading! You can share this article here. Was this week's newsletter useful? Help me to improve! Click on a link to vote: 👍Super! - 😐 Meh - 👎 Not my jam |
Hi I'm Lindsey Hughes
Hi, I’m Lindsey. I love helping people discover their superpower, create compelling content, and feel excited about pitching and networking. I teach people how to pitch like a boss, network like a VIP, and write like an Oscar winner. Subscribe to my weekly newsletter for actionable creativity and career tips.
The Pitch Master Newsletter Cause and Effect: The Story Chain Reaction A story is not just a string of things that happen. A story is a chain reaction. This happens, therefore that happens. A character makes a choice, therefore something changes. A secret is revealed, therefore a relationship blows up. A plan fails, therefore the hero has to try something riskier, scarier, or stupider. That is cause and effect. And when it is working, your story feels inevitable. It pulls the reader or viewer...
The Pitch Master Newsletter The World’s Largest Library Is Hiding in Plain Sight (And Your Books and Screenplays Should Be In It) Imagine a library 100 times larger than the Library of Alexandria. A library with millions of books in every language, stretching back centuries. A library where a reader can search almost any topic and instantly discover a book about it. Cool! That library exists. It’s called Google Books. And if you’re an author or screenwriter, it may be one of the most powerful...
The Pitch Master Newsletter Nothing yanks me out of a story faster than a plot hole. If they’re really stupid, I get mad. And I quit reading or watching. That disconnect doesn’t just “break immersion”, it breaks trust, and it quietly murders your relationship with your reader/viewer. Plot holes can happen anywhere, but they’re most common in mysteries, thrillers, and action stories, where the engine of the story is cause-and-effect. At their core, plot holes are logic problems with motives,...