Hi Last we talked about the fun, unusual structure of the Perspective Loop. This week we’re talking about the Loop Adjacent club—those twisty, time-bending, unreliable-narrator-y stories that don’t quite use a true Perspective Loop, but definitely mess with how and when we see key events. These titles often:
Use structural tension, timing, and character revelation. They're not classic Perspective Loops, but they're living in the same narrative neighborhood. Let’s talk through some examples. Is Damages a Perspective Loop?Short answer: Not quite—but it flirts with the structure in some very smart ways. Why it's almost a Perspective Loop:
But here's the twist: What Damages doesn’t do is replay the same moment from multiple characters’ POVs as a narrative device, which is the hallmark of the Perspective Loop. Instead, it layers chronological reveals and time jumps to build suspense and mystery. So while it shares DNA with the Perspective Loop—especially in how it withholds and then re-contextualizes information—it’s more accurately described as: • A nonlinear legal thriller, and • A master of the reverse-engineered plot twist. Damages is a fantastic study in structural tension, timing, and character revelation—and 100% worth dissecting if you love twisty storytelling. Is Memento a Perspective Loop?Short answer: Not exactly—but it shares some deep structural DNA. Why It’s Similar: Memento plays with time and perception like a cat plays with a laser pointer—it’s relentless, disorienting, and brilliant. The story is told in two timelines:
These timelines eventually meet in the middle, forming a kind of narrative Mobius strip. So while Memento doesn’t replay the same moment from different character POVs (which is core to a true Perspective Loop), it revisits key events from different angles—specifically through the lens of Leonard’s unreliable memory. The result? Every new scene re-contextualizes the one before it, and the audience is constantly forced to reassess what’s real, what’s true, and who to trust. Why It’s Not a Classic Perspective Loop: The entire story is told through one POV: Leonard’s. It doesn't loop back to a central event with multiple character perspectives, like The Affair or The Residence. The tension comes from temporal disorientation and memory gaps, not from conflicting accounts of the same moment. So What Is It, Then? Memento is best described as:
Memento isn’t a classic Perspective Loop, but it plays with similar ideas: reframing events, withholding information, and forcing the audience to constantly re-evaluate the truth. It’s a brilliant case study in structural innovation and 100% worth watching if you're obsessed with story mechanics. 🎬 Loop-Adjacent MoviesMemento (2000) Told in reverse chunks from a single unreliable narrator—every new scene changes the context of the one before it. Arrival (2016) Time doesn’t move in a straight line here, and the emotional impact of shifting perception is massive. One POV, but restructured in a way that mimics a loop. Eternal Sunshine of the Spotless Mind (2004) A love story inside a memory-erasing procedure—events are replayed and re-contextualized as memories disintegrate. The Father (2020) About a man with dementia, the story unfolds from his deteriorating mind, making the audience experience memory and reality shifts firsthand. Run Lola Run (1998) Three versions of the same story, but rather than different POVs, we get different timelines. A brilliant study of how small changes create big consequences. Looper (2012) Time travel meets moral dilemmas, with present vs. future selves squaring off. He Said, She Said (1991) Same relationship. Same key events. But filtered through wildly different viewpoints. 📺 Loop-Adjacent TV ShowsDamages (2007–2012) Nonlinear and full of puzzle pieces. It shows a future crime, then jumps back in time to show how characters got there—lots of temporal re-contextualization. Lost (2004–2010) Flashbacks, flash-forwards, and flash-sideways! While not POV-driven loops, the show loves giving emotional and plot context after the fact. Westworld (Season 1, 2016) Multiple timelines and identities are disguised from both characters and viewers. Once revealed, previous scenes take on completely new meaning. Russian Doll (2019–) The protagonist relives the same day over and over, but what she learns shifts how she perceives—and interacts with—everyone else. Not POV-based, but very loop-like. Scandal (Seasons 1–2, 2012–2013) Twisty political soap meets psychological thriller. Flashbacks slowly unravel characters' secrets, shifting your understanding of motivations and loyalties. Writer Takeaways from the Loop-Adjacent Hall of Fame:🧠 Memento – Structure can reflect a character’s flawed memory. Let time unravel with intention. 🌌 Arrival – Saving a final truth for a late reveal can reframe the whole emotional arc. 💔 Eternal Sunshine of the Spotless Mind – Let structure mirror emotional states—grief, nostalgia, longing. 👴 The Father – Make the audience feel disoriented when your character is disoriented. Empathy via structure! ⏱️ Run Lola Run – Use alternate outcomes to show the weight of tiny choices. 🕶️ Looper – What happens when your protagonist’s present collides with their future self? Explore identity, fate, and consequence across time. ⚖️ Damages – Start with a bang (or a dead body). Backfill the context to keep tension high. 🤖 Westworld – Hide multiple timelines in plain sight for a delayed “aha!” payoff. 🌀 Russian Doll – In loops, don’t reset—escalate. Let repetition fuel evolution. Scandal – Don’t reveal your characters’ secrets all at once. Use strategic flashbacks to reframe their choices and show how past wounds drive present actions. Delayed context = juicy drama. 🗨️He Said, She Said - Want to deepen romantic tension or show character bias in real time? Let each person narrate their version of events—and let those contradictions fuel the drama. Feeling inspired to twist your next story? Loop it, bend it, break it! In Case You Missed ItIs Your Clutter Killing Your Creativity? Cheers, Lindsey Thanks for reading! You can share this article here. Was this week's newsletter useful? Help me to improve! Click on a link to vote: 👍Super! - 😐 Meh - 👎 Not my jam |
Hi, I’m Lindsey. I love helping people discover their superpower, create compelling content, and feel excited about pitching and networking. I teach people how to pitch like a boss, network like a VIP, and write like an Oscar winner. Subscribe to my weekly newsletter for actionable creativity and career tips.
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