Hi Reader,

Your hero’s journey is the focus of your story. But plot twist, have you ever thought about your villain’s journey? In The Villain’s Journey: How to Create Villains Readers Love to Hate, Debbie Burke takes us through the bad guy’s character arc, giving a fun new way to think about stakes and conflict.

Villains vs Antagonists: What’s the Difference?

The villain is a malicious character who opposes the hero and drives conflict through evil, selfish, and immoral actions.

The antagonist of a story is the person, group, force, or idea that opposes the interests of the protagonist.

The Difference:

• All villains are antagonists (they oppose the hero).
• Not all antagonists are villains.

An antagonist can be:

• A rival
• A natural disaster
• The hero’s own fear
• Grief
• Addiction

They don’t need malicious intent. They just need to stand between your hero and what they want.

Who’s a Hero? It’s all about Perspective

Your villain believes in what he is doing.

He wakes up thinking:

• I’m justified.
• I’m correcting an injustice.
• I’m the only one with the guts to do what must be done.

In other words, villains are the heroes of their own stories. When you write them that way, they stop being cardboard cutouts and become powerful, a character with logic, emotion, and dangerous conviction.

🧠Brainstorm: The Villain’s Closing Argument

Imagine your villain making a closing argument to a jury. Not to confess. To explain his actions.

• “You think I’m the monster, but…”
• “I did what I did because…”
• “If I hadn’t, then…”

The Villain is Your Story’s Secret Engine

Think about it. The villain drives the narrative forward. The hero spends the story reacting to what the villain is doing. If you’ve ever felt like your plot is wandering or your protagonist is floundering, you may not have a hero problem. You might have a villain problem

Flip It: The Villain’s Arc Is a Mirror Image of the Hero’s Arc

The villain’s arc is the opposite of the hero’s.

• The hero’s progress is the villain’s threat level rising.
• The hero’s “dark night of the soul,” might be the villain’s “everything is going according to plan.”

Another way to think of the two arcs is that they have an inverse power trajectory. The hero starts weak and rises, while the villain starts powerful and declines.

While your hero is gathering allies, skills, courage, and momentum, your villain is:

• tightening control
• taking bigger risks
• becoming more unhinged
• underestimating the hero

If your story feels flat, is the villain’s power changing? Or is he staying at the same level of menace? Change is story fuel.

Do You Know Where Your Villain Is?

Even when the villain is offstage, the writer must know exactly where they are and what they’re doing.

Because while your hero is following clues, your villain should be:

• Covering tracks
• Planting evidence
• Setting traps
• Creating roadblocks
• Grooming allies
• Accelerating the plan

If your hero is busy, but the story still feels oddly calm, it’s often because the villain has been lounging in narrative limbo.

🧠Brainstorm: The Shadow Story Timeline

Create a parallel timeline for the villain: the shadow story.

Write a simple list:

• What is the villain doing in every major sequence?
• What do they stand to gain or lose in that moment?
• What new threat pops up, and how do they respond?

Even offstage, the villain should shift, escalate, obsess, spiral, or become more desperate. This exercise is a wonderful plot hole detector.

🧠Brainstorm: List 3 positive traits your villain has then twist them toward destruction.

Remember, when your villain is clear, active, and emotionally convincing, your hero has something to fight against. And that’s when stories shine.

Bonus: The Villain’s Beat Sheet

For crime, action, thriller, mystery, and superhero stories.

1. The villain (or henchman) commits the crime that kicks off the master plot.
2. The villain learns about the hero and may become obsessed or threatened by them.
3. A connection is discovered (past history, shared wound, personal stake).
4. Villain and hero come into contact (by investigation or the villain’s curiosity).
5. The villain announces the plan (to the hero and/or the public).
6. The villain captures the hero (physically, socially, emotionally, professionally).
7. Someone the hero loves is endangered (kidnapped, framed, threatened).
8. The hero wins through teamwork and exploiting the villain’s weakness (ego, obsession, loyalty fractures, underestimating the hero).

Learn More

​The Villain’s Journey: How to Create Villains Readers Love to Hate by Debbie Burke

​The Writer’s Journey by Chris Vogler

​The Hero’s vs Heroine’s Journey​

​The Heroine’s Journey by Gail Carriger

​What is an Antagonist?​

​The Villain’s Journey: Decent and Return in Science Fiction by Valerie Estelle Frankel

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Cheers,

Lindsey

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